A friend of mine suggest that the story was written to purposefully come across as tedious to accentuate the point it was trying to make about the working man, which I feel is a very interesting idea, however the fact remains that this story is tedious, a common thread that I'm discovering in several of Melville's works. He is about sixty years old, holds the office of Master of Chancery, and is well known in the Wall Street community. The narrator is another example of a character in the individual versus society theme who loses out by bartering what he considers morally right, extending Bartleby charity and allowing him to continue his way of life; in exchange for what society considers right: the perpetuation and profit of his business, his professional standing. One Sunday morning, The Lawyer is heading to church and decides to stop by the office on the way. Through the narrative, the narrator gives his account of how he dealt with Bartleby and gives the reader a look at the walls Bartleby dealt with in part of his life.
While it certainly can be read this way, it is important to consider the grammar and meaning of the words employed. So true it is, and so terrible too, that up to a certain point the thought or sight of misery enlists our best affections; but, in certain special cases, beyond that point it does not. Because both Bartleby and the narrator lose their professions during the course of. They err who would assert that invariably this is owing to the inherent selfishness of the human heart. The landscape of Wall Street is completely unnatural, and one is cut off from nature and almost all living things. Bartleby refuses the false concern of Mr. Yet The Lawyer attempts the same oral exchange with Bartleby, expecting him to comply.
This epitomizes how disconnected the office is, as well as how sharing language has failed to create a close-knit bond in the office. The first few attempts of the narrator to tell Bartleby to do something else, no matter how slight the task, are abortive. Behind the narrator's desk is a bust of Cicero, the great Roman writer and orator. Instead, he cultivated a more spiritual language to express the darker, enigmatic side of the soul. On his way out, a man The Grubman stops The Lawyer and asks if Bartleby is his friend.
Moreover, once Bartleby's work ethic begins to decline, the narrator still allows his employment to continue, perhaps out of a desire to avoid confrontation. The modern economy includes constant and unfeeling change, which comes at a cost. Starving to death, I would think, is the ultimate literal and figurative act of depression. In the end they are both the losers. When drunk, he's brash and over-enthusiastic. After explaining that his office is occupied by himself, two other scrivener employees Turkey, who is a drunk and therefore only useful before he starts drinking at lunch, and Nippers, who has some kind of habit that means he is only productive during the afternoon hours , and Ginger Nut, a twelve-year-old office boy, The Lawyer says that he has posted an ad to hire a new employee.
Bartleby will detach from the world in stages, beginning with this first statement. In this story, Bartleby is portrayed as a lifeless zombie and is alone with In the story of Bartleby the Scrivener by Herman Melville, there is a lawyer who narrates the entire story. These actions shape the short story, picking at its viewers mind as to why Bartleby is disconnected from society. Bartleby stares out a viewless window doing nothing, and rather than tell his boss why, he implies that The Lawyer already knows. Unfortunately, Melville's ambiguities have lead to some unusual interpretations concerning the ethics of the unnamed lawyer who narrates the story. Herman Melville was born in 1819 in New York City into an established merchant family. The narrator installs Bartleby in his own room, putting him at a desk by a window that looks out onto a wall.
The lawyer employs Bartleby, a lifeless man, as a copyist for his law firm. Here, it seems The Lawyer is aware that his charity towards Bartleby has been fickle and somewhat limited, so he tries to make up for it with a last-ditch effort of paying The Grubman to provide Bartleby with food. When he asks Bartleby to be a little reasonable, Bartleby says he would prefer not to do that either. Pierre, his first published work after Moby-Dick, with its emphasis on incest and moral corruption, exemplifies his decision to change direction. His insistence that he is an honorable man throughout the text make him less trustworthy as a narrator. Bartleby is always in the office, either working or staring out the window at a facing wall, and it turns out that he actually lives in the office.
It id a deep and symbolic work, its make you think of every little detail differently. Melville emphasizes his characters' qualities by drawing allusions, and in doing so makes them appear larger than life. Challenged to delve into the perplexities of morality, Melville avoided the more obvious superficialities and plunged determinedly into greater mysteries. Like many artists, Melville felt constrained to choose between art and money. He wanted to die in peace and not allow anyone to get through into the masonry who might hinder his task. Sensing the threat to his reputation but emotionally unable to evict Bartleby, the narrator moves his business out. Bartleby is expected to work rigorously yet he is ultimately ignored by his co-workers and employer, called upon only when he is needed.
With each time he reiterates the statement, he is renouncing one more piece of the world and its duties. Intending to read from the original while his four employees examine the copies, The Lawyer calls to Bartleby that the rest of them are waiting for him. A day later, Bartleby ceases doing any work at all—he spends his days staring at the wall, and The Lawyer decides it is time to rid the office of Bartleby. Cutlets and begins the slow and lonely path to eventual starvation. This state results in him going Isolation and Society in Bartleby, the Scrivener Herman Melville's Bartleby is a tale of isolation and alienation. Thus Turkey is productive while Nippers is foul-tempered, and Nippers is productive while Turkey is drunk. The Scrivener completed his mission by not procuring the blood necessary to keep him alive.
However, beneath the papers, The Lawyer finds an old knotted handkerchief. The employers of both these men attempt to assist them. The family's fortune had taken a decline that led to bankruptcy and caused insanity to enter into his father's Life. . Significantly, Willy reaches for modern objects, the car and the gas heater, to assist him in his suicide attempts. Pale from indoors work, motionless, without any expression or evidence of human passion in him at all, he is a man already beaten.